Write Life Series: 6 Things An Agent Does/Doesn’t Do

agreementInterested in the relationship between literary agents and their clients? Not sure what that entails?

Check out the series I wrote for The Write Life:

Last week’s post: 6 Things to Expect from Your Literary Agent

This week’s post: 6 Things Not to Expect from Your Literary Agent

Head over to The Write Life and share your comments.

6 Reasons You Need A Literary Agent Now More Than Ever

contract signingYes, even you self pubbed authors need an agent now more than ever.

There’s no disputing that you can publish your own book, get a deal by yourself meeting an editor at a conference or submitting to certain publishers that are open to the slush. I see more and more in our query inbox that an author has an offer from a small print publisher or digital first start up but want an agent to help with the process because they realize they are in over their head. They ask questions like: Is the publisher good? Should I have submitted to them on my own in the first place? I’ve written on why you shouldn’t submit to agents and small presses at the same time already, but this is about why you need an agent first.

6 Reasons You Need An Agent Now More Than Ever:

1. Access to ‘Big 5′

Yes, you can submit to small publishers by yourself, but you will never have access to all the big 5 publishers without an agent. Every writer I’ve ever met has wanted to be published in print. There are writers that are ‘okay’ with digital first publishing, but they all want to build to a career in print.

2. Complex Contracts Continue reading

Why You Want An Agent Who Reads

BelleBATBAgent Janet Reid wrote a great blog post about agent burnout among other things. One part that stuck with me was her comment about agents reading things that aren’t client work.

I can understand when writers see their agents talking on Twitter or Facebook about books that aren’t theirs and they think: “If they had spare time, why weren’t they reading my manuscript?” But one of the most important things an agent can do is read and READ A LOT.

Why you want an agent who reads:

1. They know what’s selling.

If we don’t read published books, how up-to-date is our taste? How do we know what is working in the market? I call it ‘cleansing the palate’ and it’s a much needed respite.

2. They know what’s successful. Continue reading

How I Read Slush: 3 Lessons for Writers

reading-piccsyAgents talk a lot about query letter writing and how we manage the slush pile. There’s the flip side of that too: once we request your material what happens? Well today, you get inside my brain. This is how I read requested material and how you make yours stand out:

1. I read on my iPad

I don’t print manuscripts out until I sign them and start to work on them. So I’m trying to see if I enjoy the writing and pair the writing with a name or book title to distinguish one manuscript from the other.

Lesson: Formatting! For the love of pete number your pages and title your file something like: Author Last Name BOOK TITLE. I don’t want to play a guessing game about which manuscript matches which query. The last thing I want is confusion when I’m trying to organize my slush. I also ask for a synopsis pasted into the first page of the manuscript document so that I can jog my memory and refer back to it.

2. I read 3-10 partials in a row

I’m not sitting down to indulge in one story, I’m sitting down to get through the virtual stack of manuscripts. Often it is between 3-10 when I start to read. That’s 3-10 different authors, voices, characters, plots and things to keep straight. When I read partials and other requested material I’m reading for plot, pace and potential. All I want is to be drawn in more than the story before that one. Continue reading