6 Tips To Hook A Reader on Page One

Posted byCarly WattersPosted inWritingTags:, , , , , ,

I’ve read thousands of “page ones.” Very often I don’t read page two.

Sometimes all I read is that first page and I make judgements based on what I see there. As an agent and a reader my practice is that if I’m not connecting with the material I move on–and quickly.

I wish I had time to give writers (and their books) more of a chance but I can tell a lot by one page: sense of dialogue, setting, pace, character, voice, and writing talent–yes, usually all from one page. Five at the most.

So how are you supposed to get us past one page?

6 Tips To Hook A Reader on Page One

1. Learn how to balance what readers need to know vs. what you, as the writer, want to tell us. I can sense a writer who is trying to show off very quickly. It really only takes one paragraph to see that. A command of language is knowing how to write for your audience, not showing off how you can set a scene with a vocabulary that your reader can’t connect with. Showing off isn’t going to win readers over. It’s going to make the decision to walk away very easy. All the reader needs to know is who has a secret (see more at point 3). This tip is all about going back and editing your first page over and over again. Polished, but not so shiny that we think we’re reading a magazine ad.

2. Learn what “start with action” really means. We’re not asking every writer to start their book with a car crash. In fact, most shouldn’t! What we’re asking is to make sure that your book starts in a place where plot is happening, not merely an introduction to the scene or characters. The longer you take to drop some hints the more confused we are and that encourages people to put down the book. Action means movement of some kind: start of a conflict, effects of a previous conflict, or dialogue about new/existing conflict.

3. Let us know who has secrets; keep the reader curious. Every character must have a secret. It is linked to their stakes and why they must achieve their goal. Don’t underestimate the power of a secret. It could be something as small as what they were embarrassed by last week or something as big as a major mistake at work. And read this PubCrawlBlog post to learn more. Remember that characters need to feel like they had a life before we entered their world via the book, and that they’ll have an interesting life afterwards too.

4. Be wary of information dumps. The number one killer of a page one: more didactic text and backstory then we could possibly need. Instead of information dumping on us (remember we’re joining you at this exact moment–so what do we need to know to enjoy this moment as it stands?) try things like dialogue instead. Dialogue is a great way to get plot moving while introducing us to your world. If you’re tempted to give us more backstory or facts than we need (I don’t need to know where your character is from, their hair colour, or their sibling order) remember that there is a reason you started your book in this place and it should relate to the fact that their life changes in this instant. No facts are needed if you start in the right place.

5. Introduce characters on a need-to-know basis. There’s nothing more confusing than reading more than 3 or 4 names on page 1. Not only is it hard to keep straight the names themselves, I’m also thoroughly confused about which name matches which voice especially in dialogue. Be careful to only mention characters we need to know at that time. That will prevent the reader from putting down your book before we’ve even begun because they feel they can’t keep up.

6. Never assume a reader is going to finish your first page, first chapter, or whole book. Free time is a luxury these days. When a reader picks up a book that’s a huge statement about how they spend their free time. Dedicating 8-10 hours to your writing should never be assumed. So if you keep that in mind as you write and edit you’ll be in great shape to keep the pace moving and stakes high.

Published by Carly Watters

Carly Watters is a SVP, senior literary agent and director of literary branding with the P.S. Literary Agency. She is a hands-on agent that develops proposals and manuscripts with attention to detail and the relevant markets. PSLA’s mission is to manage authors’ literary brands for their entire career. Never without a book on hand she reads across categories which is reflected in the genres she represents and is actively seeking new authors in including women’s fiction, commercial and upmarket fiction, select literary fiction, platform-driven non fiction and select memoir. She occasionally represents children's book projects. Carly is drawn to emotional, well-paced narratives, with a great voice and characters that readers can get invested in.

50 thoughts on “6 Tips To Hook A Reader on Page One”

  5. Hi Carly. Have you ever considered doing a monthly blog feature where you do 1st page critiques? It would be amazing to see how this advice applies to real examples. Just a thought. Thanks for putting out such helpful posts! Just bought your book. Can’t wait to read it. :)

    Liked by 1 person

    Reply
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  17. I went back to my first pages and used these bullets as a checklist against what I had written. Very helpful and assured me that I was in the right direction! Thanks Carly!!

    Liked by 1 person

    Reply

  26. Reblogged this on On The Write Path and commented:
    As I approach the fateful moment, I always come back to review my first chapter with an increasingly critical eye. I love the insight given in your post and thank you for sharing a bit of our world from the other side of the page.

    Like

    Reply

  28. Thank you for revealing the tips that teach us striving writers how to get you to read the second page of our book. I rewrote my first page for the umpteenth time this week and now I plan to try, try again.

    Liked by 1 person

    Reply

  30. Thanks for the guidance, Carly. I write eco-thrillers and was wondering what are your views about having an opening chapter which tells of an event which happened way back in the past, such as an earthquake-induced mining disaster, but which ultimately relates to events which occur later in the book – such as another earthquake-induced disaster. Do you think a prologue would be better?

    Liked by 1 person

    Reply

  31. Many thanks for your advice. After I finish reading a novel, I sometimes go back to the first page and re-read the first few pages, and I’ve been impressed by how some authors packed their novels’ main thrust into a handful of paragraphs.

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