Does your book start at the most interesting point in your character’s life? It should.
The number one problem I see with sample material, and even client material sometimes, is that the book doesn’t start in the right place. If you are starting with the beginning of the day (waking up or eating breakfast) I don’t trust it’s starting in the right place. If you take 50 pages to introduce the conflict there is no way you’re starting in the right place.
HOW TO START YOUR NOVEL IN THE RIGHT PLACE:
- At the end, go back and rewrite your beginning. There is no way by the end of your novel you should have the same opening when you started the draft. Characters change, plot trajectories change. You don’t know what your novel is going to fully become until it’s over. So why keep the same opening? Revise to make sure it is the proper opening for the novel it became.
- We don’t need a car crash, but we do need a secret. “Starting with action” is often misconstrued as starting with a bomb going off. For some genres that works, for many it doesn’t and shouldn’t! What we do need to start with is knowing that your character has a secret. Action can be many things, but no matter what we need to know something big is coming. We can’t be reading about a normal day in your characters’ lives.
- Are you introducing too many people? We should meet the main character on page one and maybe one or two others–but that is it. Introducing too many characters is very confusing to the reader. We don’t know who’s who yet. And we don’t know who to care about. Establishing a bond between main character and reader starts on page one.
- Alternately, information dumping won’t win us over either. Want us to know everything right off the bat? Guess what…we don’t want to know everything on page one. Or else what are we reading about?! Give the reader some credit and let them connect the dots. Trusting that your reader is smart will win them over too.
- How do we know this is a novel? Something happens. As I said at the top: your book should start at the most interesting point in your character’s life. Or else why are we reading about them? What is the moment when everything changes? Why? And why does the reader care to find out what happened? These seem like simple questions but they’re the crux of getting readers’ invested in your characters from the moment we meet them.
Q: What do you worry about with your beginnings?