Agents do inhale query letters. We get 1,000’s a year and go through them periodically; usually consuming them in batches of 20-100’s at a time. I try to read them once or twice a month.
Your query letter is my first encounter with you. It doesn’t have to be “perfect” (I mean that!), but it does have to convince me why I need to read your writing, get lost in your voice, and why this particular story matters more than the others.
Your query letter is the first opportunity to engage me and show me how you’re a storyteller no matter the medium. Storytellers can write a novel and explain it in a few paragraphs–they have to.
FIVE REASONS FOR A QUICK PASS:
- Novel that’s under 70k or over 110k. Storytellers know how long it takes to tell a story and a novel-length project requires a certain depth of story.
- Wordy descriptions that are better suited for a synopsis than a pitch. No need to show off. Use plain language that shows your voice and range.
- Inaccurate or wildly inflated comparative titles. You don’t have to use the title du jour or name every bestseller (I assure you, this doesn’t wow us); instead, pick comp titles that are successful but not ubiquitous.
- Lack of core conflict. If you can’t tell me what your book is actually ABOUT then we have a problem. Storytellers can distill because they start from the main question of the plot and work backwards.
- Picked the wrong agent. Information floats around the web and often gets attributed incorrectly. Always go back to an agent’s website or blog for the most accurate information.
Next time you’re crafting your query think about what agents need to know and why. From those 80,000 words, extract a hook that shows me you can tell a story in 350 words–or 350 pages. That’s your job.
Your query letter tells me what kind of storyteller you’re going to be and I want to work with writers who understand the difference between writing and storytelling. Anyone can write, but not everyone can be a true storyteller.