5 Year Blog-versary Round Up!

9e4073d6863e21b9a5b923c3e62390afWow, 5 years since this blog began!

Thank you to the loyal readers and commenters for your engagement with my posts.

I decided to do a round up of some of my top posts over the years.


30 Questions to Ask Your Main Character

When You Start Comparing Yourself To Other Writers

7 Things Writers Should Stop Wasting Their Time On

6 Tips To Hook A Reader on Page One

4 Ways To Edit Your Book Back on Track


Do You Know The Difference Between Literary, Upmarket and Commercial Fiction?

5 Secrets To Publishing Your Debut Novel

7 Ways To Make Yourself An Easy Author to Work With


How To Write A Synopsis

8 Query Tips No One Tells Writers

How I Read Slush: 3 Lessons for Writers

Agent perspective: What’s wrong with your manuscript

Social Media:

7 Ways To Build a Platform Through Your Online Community

6 Ways Social Media Doesn’t Help You Get Published

Q: Do you have a favorite post? One that changed your opinion of the industry or changed your manuscript for the better?

Why simultaneously submitting to very small presses and literary agents is not working

globeandmail booksI’ve seen an upswing in authors simultaneously submitting to very small print presses and e-publishers as well as literary agents. I’m going to share my frustrations with this practice. I understand that writers are looking for a ‘win’ in a sea of rejection and to get themselves bumped up in the slush pile, but this is counterintuitive and here’s why:

It suggests that you and an agent might have very different ideas about the market for your book and vision for your career.

If a writer submits to agents, small presses, and e publishers what outcome are they looking to achieve? Get a small press deal and have an agent negotiate it? Get an e-publishing offer and turn it down once you’ve accomplished what you wanted: to get an agent? Use a small deal to leverage a bigger one? Ditch it all once you get an agent and then shoot for a publisher with a bigger distribution channel?

Agents are running a business and we have systems in place that works for a reason. We’re looking to discover fantastic new writers in the slush and it’s okay just to query us and not have an offer attached to your project. Don’t waste anyone time, including your own, by throwing your project into any open door in the industry. Get an agent, find one that understands your needs and loves your work, and then tackle this crazy industry together with a similar vision for your career.

Yes, the industry is changing quickly, but guess what? Great agents are ahead of the curve and know how small presses and e-publishing work and their place in the greater publishing ecosystem.

Yes, coming to an agent with an offer of representation is a good way to get yourself read quicker by an agent, but it’s almost a false start because we’re going to evaluate you on the same principles as we would anyone else.

Don’t get me wrong, I have nothing against small presses, Continue reading Why simultaneously submitting to very small presses and literary agents is not working